Artsy movies her spike jonze12/24/2023 ![]() In the film, Tilda Swinton plays Ruby, a female cyborg who falls in love with and is impregnated by a human man. But when Leeson set out to make Agent Ruby, “no one knew what was talking about,” so she made a film-2002’s Teknolust-to explain. Leeson wanted to create an interactive program which would collect information from users around the world, developing and functioning as a result of human input. More than 30 years later, however, multimedia artist Lynn Hershman Leeson came to a different conclusion when she set out to examine questions of virtual consciousness and desire by creating her own chatbot, Agent Ruby. But though Weizenbaum’s creation seemed to herald the impending reign of artificial intelligence, he was careful to emphasize Eliza’s limitations, and in 1976 wrote Computer Power and Human Reason: From Judgment to Calculation, an argument against substituting artificial intelligence for human reasoning. Shortly after Eliza’s creation, peers of Weizenbaum’s developed a similar program and proposed actually using it to diagnose patients. When running her most famous script, one based on Rogerian psychotherapy, Eliza carries on a conversation with the user which mimicks that between a therapist and a patient, asking questions like “How may I help you?” and “How long have you been depressed?” as well as providing guiding statements like “We were discussing you, not me.” One of the earliest and most well-known such programs was Eliza, created in the mid-1960s by computer scientist Joseph Weizenbaum and named after the main character of George Bernard Shaw’s play Pygmalion for her ability to consume and utilize language. Technology now aids in many of the tasks once performed mainly by women: scheduling, reminding, diagnosing, helping.Īnd, though the chatbot with whom Jonze interacted was “not a him or her,” many early chatbots have similarly been cast as female characters. While the objective of Siri is largely to deliver information, her ability to communicate with users is the result of decades of experimentation with natural language programs, specifically designed to carry on a conversation with a human and probe the possibilities of artificial intelligence. Though they’ve drawn many comparisons to each other, Her's Samantha and the (female) iPhone personal-assistant program Siri are quite different-but they do share common ancestors. Oh, this is a very cleverly written program, I thought in the end, but for those couple of minutes I got a very distinctive, tingly kind of buzz from the experience. And then after a couple of minutes you start to notice the cracks and the flaws. I got this sort of buzz thinking: This thing’s actually keeping up with me. I went to the website, and I IMed this address, and I was like, “Hi, how are you?” and I got responses like, “Great, how are you?” And you can talk to it and tease it-not a him or her, it’s just typing-and get a little banter going, getting mocked and so on. Though this seems to be the first operating system of its kind, few people in the film seem surprised by Theodore and Samantha’s relationship. ![]() The two eventually begin a relationship and engage in normal couple activities, like double dates (though they look nothing like the traditional dinner and a movie, but rather like three people and a talking iPhone at a picnic). ![]() Theodore Twombly (Phoenix), recently divorced and disillusioned, purchases an advanced operating system named Samantha (voiced by Johansson) to help organize his life and perform a number of tasks, like reading and sending email and proofreading the letters he writes at his job. Set in the near future, Her uses scenes like these to examine desire, artificial intelligence, and the possibility of a relationship between a human and a piece of technology. But this way, spared some visual awkwardness, the viewer can better imagine the act taking place: two beings falling in love, one a man and one a disembodied, highly intelligent operating system. This is an unusual move for a mainstream film, deliberately moving the sex scenes offscreen. About midway through Spike Jonze’s new film Her, characters played by Joaquin Phoenix and Scarlett Johansson engage in very passionate, vocal sex behind a completely blacked out screen. ![]()
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